Travelsmartplanet

Here, from the Wizard of Oz is the Wicked Witch of the West’s hat. Margaret Hamilton, with her green face, scowl and cackle, was the actor who played her. Adrian Adolph Greenberg, Hollywood costume designer, created her signature outfit. As a little kid, watching that witch really scared me, sending me into tears. You can see the hat in person at the Museum of Pop Culture in Seattle, WA. I didn’t cry when I saw it.

To fully understand the impetus and experience of the Group of Seven Canadian painters’ time in Algoma County, the Theatre in Motion is featuring a one-man show called Moments in Algoma, This group of Seven “experience” has an actor portraying painter Lawren Harris. It’s being shown at the Heritage Discovery Center.

A half century ago, a creative actor/director and immigrant (from South Africa via England), Maurice Podbrey, together with his equal half, Elsa Bolam (and Herb Auerbach and Peter Duffield) managed to knit together a theater company, Centaur, which was and is no easy feat. If that wasn’t nerve wracking enough for a person, Bolam then went on to start another successful one, Geordie Productions.

In an unintentional but perfect nod to the past, Eda Holmes, Centaur’s new artistic director, brings us Choir Boy set in a boys’ prep school while Podbrey’s first production, The Prime of Miss Jean Brody, took place in a girl’s school. The play is written by Tarell Alvin McCraney, who comes with a pretty flashy CV: he’s the Chair of Yale’s School of Drama, where he is also the Playwright in Residence at the Repertory Theatre. and he was also Playwright in Residence for Stratford-Upon-Avon’s Royal Shakespeare Company – and happens to be a member of the renowned Steppenwolf Theatre Ensemble. And let’s just throw in here that he wrote the story of Moonlight which won Oscars for best picture and for the writing.

The story is mostly about Pharus (played by Steven Charles), a gay student making his way through a very traditional private school. Charles commands the stage throughout, and we can’t wait to see where his star takes him (to the Broadway production?). His fellow students talk, yell, fight and sing a cappella as they share intimacies and rivalries when the old school values conflict with our modern world in rules, nepotism, faith, sexuality and school board traditions.  Tight direction by Mike Payette keeps you riveted throughout, while Lighting Designer Andrea Lundy’s magic creatively moves you around the set (loved the purple).

Floydd Ricketts, the musical director and arranger, was the right man in the right place to be able to create new arrangements of spirituals, gospel and jazz songs for a cappella harmonies.  Ricketts notes, “Even though this music comes from pain, there is also joy in it”. Dayane Ntibarikure, assistant director and choir movement facilitator, did a brilliant job of  having the actors move “slave slowly” around the scenes, adding foot stomping  to song and subtly evoking a chain gang in the shower scene.

Holmes has tweaked the play runs slightly this year by adding (less expensive) preview shows to get the performance just that more perfect for opening night. You know how much I like a deal, and Centaur offers much for FREE with behind-the-scenes info to enrich your  theater experience: Talk Back after the shows , Sunday Chat Up, Thursday Pre-Show Convo and the Saturday Salon.

How perfect that this golden Centaur season started by lifting our spirits with the power of music blended with this timely story. See Choir Boy in Montreal before you can’t get tickets on Broadway (Dec 2018)!

Location 453 St-Francois-Xavier
corner: Notre-Dame
Tel: 514-288-3161
Dates: til Oct 28
www.centaurtheatre.com
Metro: Place d’Armes

On the night of April 14, 1865, President Abraham Lincoln was shot by the dashing young actor, John Wilkes Booth, at Ford’s Theatre in Washington City. While Lincoln lay dying, his assassin was making his escape into Southern Maryland.

Over the next twelve days, Booth and his accomplice, David Herold, were tracked through the lower counties of Maryland and across the Potomac River into Viriginia. They were finally trapped at Garrett’s Farm near Bowling Green, Virginia, where Herold was taken prisoner and Booth was shot and killed by federal troops. Herold was hanged along with Mary Surratt on July 7, 1865.

 John Wilkes Booth Escape Route Tour – The Surratt Society sponsors tours each fall and spring along Booth’s escape route. Many of the same roads and houses used by Booth are still in existence and are visited on this excursion which is narrated by nationally-recognized authorities on the Lincoln assassination and John Wilkes Booth’s flight.

Follow the trail of President Lincoln’s assassin from Ford’s Theatre in Washington, D.C. to his death near Port Royal,  Virginia. Relax and enjoy the history and scenery on this
12-hour, fully narrated bus tour. The cost is $85 per person ($80 for Surratt Society members). Proceeds go toward the preservation of the Surratt House Museum which was the first stop on Booth’s flight south.

To reserve your spot fill out this form.

Location: The Surratt House Museum, 9118 Brandywine Road, Clinton, MD 20735
Dates: Sat, September 8, 15 & 22, 2018
Time: 7 am –7 pm
Tel: 301-868-1121
surrattmuseum.org
For Regional Accommodations, Restaurants & Attractions: visitmaryland.org

Bring Your Own Improv’s Family Friendly Comedy Show is a rarity – a comedy club that you can bring your kids to.

Bring Your Own Improv (BYOI) is now in its 10th season and family-friendly comedy shows are Fridays at 7pm. This interactive improv show welcomes voluntary audience participation, of all ages.

The format is similar to “Who’s Line is it Anyways” where different games and scenes are set up. The troupe asks for audience input, the actors put their own spin on scenes, and the action changes constantly,  so no two performances are ever the same. They encourage you to participate in one of three ways: Applaud at a scene you like, yell out fantastic suggestions, or if you feel you’re ready,  jump up and get involved with the performers on stage.

So if anyone in your family wants to flex their comic muscles or would just like partake and play along, the clever and creative cast will support you.  No worries, they only choose volunteers with hands up .

Why not start your weekend off with some laughs, the players are pros and know how to keep the audience entertained.  Sit back and chuckle your cares away with this fun, inexpensive night out with the family. This is a hidden gem if you’re looking for something to do while on a family vacation in the Providence or Newport area. There’s also a Late Night Comedy Show (PG-13) Fridays at 9pm.

For a list of all shows: bringyourownimprov.com/Shows.htm

Location: Warwick Center for the Arts, 3259 Post Rd., Warwick, RI 02886
Dates:  March Family-Friendly Shows –  Fri, Mar 3, 10, 17, 24, 31, 2017
Time: 7 – 8:30pm
Tel: 401-261-7678
bringyourownimprov.com
goprovidence.com/event/bring-your-own-improvs-family-friendly-comedy-show/29118/

For Regional Accommodations, Restaurants & Attractions: goprovidence.com

It is really hard to take the boring authenticity-proving side of the modern art world and make it into a delightful audience loving (2 standing ovations on opening night) theatre piece.

Stephen Sachs, the playwright, took on the true story of Terry Horton, a former truck driver who scavenged a painting for $5 at a second-hand shop as a gift for a friend who needed cheering up. Maude Gutman, as she is called in this play, is a lover of kitsch – her trailer is overwhelmed by it (A congratulatory shout out here for the jam-packed shelves created by set and costume designer Pam Johnson, who really needed my Smart Shopping Montreal book to find all that stuff!). At a yard sale, the local art teacher noticed the painting and mentioned it might be a Jackson Pollock; and so begins the tale. Somehow Gutman managed to get a major art house in NYC to send an expert over to check out her claim.

And therein lies this sparring pied-a-deux. A foul-mouthed bourbon drinking trailer park madam vs. the snooty elitist artsy gentleman. Human authenticity versus art authenticity is set to be proven. Nicola Cavendish walks the walk and talks the talk. Her sneaker grounded stalking moves her around the trailer while her expert verbal comedic timing keeps the pace going. She even manages to give the garbage pail “a line”.

Jonathan Monro (Lionel Percy), himself a renaissance man (competitive swimmer, piano prodigy, singer, director, lyricist, actor), glides around her, expertly dodging her verbal and physical attacks. My take-away forever (as a former NYC art teacher) is the exuberant and sexually suggestive way in which Monro teaches us the how and why a Jackson Pollock painting is important – and not just a bunch of paint splashes on a canvas.

Though Percy always trusts his “first blink”, it is Nicola Cavendish who summed it up brilliantly when she observed Pollock’s paintings, “You can see that what emerges is layers and layers and layers. I think it’s a lesson on how we can learn to look more closely, whether we are talking about a piece of art or whether we’re talking about the woman who lives across the street who’s offensive.” Modern art is beyond the understanding of the ordinary citizen, and this play opens the door a crack as to what it is all about, how it works and doesn’t work. The show makes it all fun and drives Maude’s trailer expertly to the end to find out if she goes from rags to riches.

Location: 453 St-Francois Xavier
corner: Notre-Dame
Tel: 514-288-3161
Dates: Jan 31-Feb 26, 2017
Prices $28- $51
www.centaurtheatre.com
Metro: Place d’Armes