Travelsmartplanet

New Zealand art is influenced by the Maori culture. You can see the influence here by the swirl of this sculpture. Look at the small shapes – they’re all animals.

Our guide threw some sweet corn on the cob into Parekohuru, their largest mineral pool. Mother Nature then took care of the cooking. In 8 minutes, lunch is ready. How smart those Maori people were, to find such a terrific place to live.

Tupuna Whare, the Meeting House, is the center of the Maori community. Gatherings of all kinds including entertainment, teaching, meetings, and funerals all took place (and still take place) here. 

Smoke from thermal pits were and are a feature of the terrain around Rotorua, New Zealand, especially in the indigenous Maori land. It made cooking pretty darn easy.

Younger generations of Maori are still involved in showing off the traditions of the indigenous people. In Whakerewarewa this boy was brave enough to jump into frigid water for coins the visitors threw in.

Captain James Cook (1778-1729) was a British adventurer who explored New Zealand. The indigenous Maori introduced him to the manuka plant as a medicinal tea. It reminded him of home.

Let’s start with the aim of the Teersi Duniya Theatre group itself, which is to highlight theater focusing on social justice. Different cultures get to take the stage, whether they be Indigenous, Palestinian, Israeli, Armenian, Rwandan, Iranian, Turkish or whatever. The theatre’s goal, as mentioned by their artistic director Rahul Varma, is that we are all one people and it takes stories of everyone else to see ourselves.  Varma says, “the only way to tell stories in a new way is to get new storytellers into the room”.

So Stephen Orlov’s story Birthmark is about families. In writing this, he was asking himself why Jews who founded Israel to end their centuries of oppression were now dispossessing another people that had lived there for centuries. Michelle Soifer, the director, says we have in this play, “two young adults filled with passion and drive…  and the chutzpah to do something about it”.

Canada as a nation is made up of many communities of people who may have been displaced by war and conflicts. Living here in Montreal we have Jewish and Palestinian cross currents. Though families  may have immigrated here and now raise their families in this safe haven, the memories of their living history or those of their parents will always shape them. The children get stuck between the two solitudes: perhaps the need to avenge their families’ past or to just ride along safely here for their future.

Though this is a story of the Israeli vs. Palestinian conflict, it raises the universal problem of parents or caregivers who live with a family member who thinks differently, or even perhaps might be mentally challenged or elderly, and the parent must learn to live with the pain of not being able to fix things (which they might have caused), or even change them.

Natalie Tannous gives a strong performance as a mother conflicted by secrets in the past and fears for her child ‘s future.  Howard Rosenstein is her gentler counterpart, with his own untold secrets and the consequences of not listening to a child. Stephen Spreekmester creates two very different characters, and does them well – one of an observant Rabbi and one of a tough RCMP officer.  Patrick Keeler  as Nelson, the Jewish child finding solace in religion, and Dalia Charafeddine as Karima secretly planning revenge for her parent’s death, give us two very realistic diametric opposites on both sides of this divide.

The simplicity of Sabrina Miller’s set design, using floor squares and wall hangings to identify rooms, walls and doorways was very effective.

We learn that words matter: why do we refer to the Israelis as extremists but the Palestinians as terrorists?

Location: Mai Centre, 3680 Jeanne-Mance
corner: Milton
Dates: Nov 3-18, 2018
Price: $17 – $25
Tel: 514-982-3386
www.m-a-i.qc.ca