Travelsmartplanet

We were lucky enough to be invited to a Maori cultural group to mingle with women and children. We learned the craft of making instruments. And then we enjoyed singing along (with song sheets) with everyone from kids to their grandparents. All ages joined together to sing – and the kids knew all the words! People are wonderfully inviting all over the world.

What better homage to Halloween for adults then The Rocky Horror Picture Show. For over four decades, The Rocky Horror Picture Show has been giving absolute pleasure to adoring audiences.

You aren’t going to want to miss this interactive movie experience at the Theatre N Stage that combines film and live performers. A cult classic for more than forty years, The Rocky Horror Show is a humorous and sinfully twisted tribute to the science fiction and horror B movies of the late 1940s through to the early 1970s.

The musical tells the story of a newly engaged couple getting caught in a storm and take refuge in the eerie mansion of Dr Frank-N-Furter (Tim Curry),  a transvestite scientist. Brad and Janet meet a houseful of wild characters, including a rocking biker (Meat Loaf) and a creepy biker ((Richard O’Brien). Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.”

Costumes and audience participation are highly encouraged so get in touch with your inner Frankie and come to the party wearing your best Transylvanian costume. Sing along, shout along, and dance along having a great time with the featured live shadowcast.

Location:  Theatre N at Nemours , The Nemours Building, Wilmington, DE 19801
Dates and Times: Sat Oct 20 @11pm, Thurs, Fri, Sat Oct 25-27 @8pm
Tel: 302-571-4075
theatren.com
For Regional Accommodations, Restaurants & Attractions: visitwilmingtonde.com

A half century ago, a creative actor/director and immigrant (from South Africa via England), Maurice Podbrey, together with his equal half, Elsa Bolam (and Herb Auerbach and Peter Duffield) managed to knit together a theater company, Centaur, which was and is no easy feat. If that wasn’t nerve wracking enough for a person, Bolam then went on to start another successful one, Geordie Productions.

In an unintentional but perfect nod to the past, Eda Holmes, Centaur’s new artistic director, brings us Choir Boy set in a boys’ prep school while Podbrey’s first production, The Prime of Miss Jean Brody, took place in a girl’s school. The play is written by Tarell Alvin McCraney, who comes with a pretty flashy CV: he’s the Chair of Yale’s School of Drama, where he is also the Playwright in Residence at the Repertory Theatre. and he was also Playwright in Residence for Stratford-Upon-Avon’s Royal Shakespeare Company – and happens to be a member of the renowned Steppenwolf Theatre Ensemble. And let’s just throw in here that he wrote the story of Moonlight which won Oscars for best picture and for the writing.

The story is mostly about Pharus (played by Steven Charles), a gay student making his way through a very traditional private school. Charles commands the stage throughout, and we can’t wait to see where his star takes him (to the Broadway production?). His fellow students talk, yell, fight and sing a cappella as they share intimacies and rivalries when the old school values conflict with our modern world in rules, nepotism, faith, sexuality and school board traditions.  Tight direction by Mike Payette keeps you riveted throughout, while Lighting Designer Andrea Lundy’s magic creatively moves you around the set (loved the purple).

Floydd Ricketts, the musical director and arranger, was the right man in the right place to be able to create new arrangements of spirituals, gospel and jazz songs for a cappella harmonies.  Ricketts notes, “Even though this music comes from pain, there is also joy in it”. Dayane Ntibarikure, assistant director and choir movement facilitator, did a brilliant job of  having the actors move “slave slowly” around the scenes, adding foot stomping  to song and subtly evoking a chain gang in the shower scene.

Holmes has tweaked the play runs slightly this year by adding (less expensive) preview shows to get the performance just that more perfect for opening night. You know how much I like a deal, and Centaur offers much for FREE with behind-the-scenes info to enrich your  theater experience: Talk Back after the shows , Sunday Chat Up, Thursday Pre-Show Convo and the Saturday Salon.

How perfect that this golden Centaur season started by lifting our spirits with the power of music blended with this timely story. See Choir Boy in Montreal before you can’t get tickets on Broadway (Dec 2018)!

Location 453 St-Francois-Xavier
corner: Notre-Dame
Tel: 514-288-3161
Dates: til Oct 28
www.centaurtheatre.com
Metro: Place d’Armes

It is really hard to take the boring authenticity-proving side of the modern art world and make it into a delightful audience loving (2 standing ovations on opening night) theatre piece.

Stephen Sachs, the playwright, took on the true story of Terry Horton, a former truck driver who scavenged a painting for $5 at a second-hand shop as a gift for a friend who needed cheering up. Maude Gutman, as she is called in this play, is a lover of kitsch – her trailer is overwhelmed by it (A congratulatory shout out here for the jam-packed shelves created by set and costume designer Pam Johnson, who really needed my Smart Shopping Montreal book to find all that stuff!). At a yard sale, the local art teacher noticed the painting and mentioned it might be a Jackson Pollock; and so begins the tale. Somehow Gutman managed to get a major art house in NYC to send an expert over to check out her claim.

And therein lies this sparring pied-a-deux. A foul-mouthed bourbon drinking trailer park madam vs. the snooty elitist artsy gentleman. Human authenticity versus art authenticity is set to be proven. Nicola Cavendish walks the walk and talks the talk. Her sneaker grounded stalking moves her around the trailer while her expert verbal comedic timing keeps the pace going. She even manages to give the garbage pail “a line”.

Jonathan Monro (Lionel Percy), himself a renaissance man (competitive swimmer, piano prodigy, singer, director, lyricist, actor), glides around her, expertly dodging her verbal and physical attacks. My take-away forever (as a former NYC art teacher) is the exuberant and sexually suggestive way in which Monro teaches us the how and why a Jackson Pollock painting is important – and not just a bunch of paint splashes on a canvas.

Though Percy always trusts his “first blink”, it is Nicola Cavendish who summed it up brilliantly when she observed Pollock’s paintings, “You can see that what emerges is layers and layers and layers. I think it’s a lesson on how we can learn to look more closely, whether we are talking about a piece of art or whether we’re talking about the woman who lives across the street who’s offensive.” Modern art is beyond the understanding of the ordinary citizen, and this play opens the door a crack as to what it is all about, how it works and doesn’t work. The show makes it all fun and drives Maude’s trailer expertly to the end to find out if she goes from rags to riches.

Location: 453 St-Francois Xavier
corner: Notre-Dame
Tel: 514-288-3161
Dates: Jan 31-Feb 26, 2017
Prices $28- $51
www.centaurtheatre.com
Metro: Place d’Armes

Looking for some fun, family friendly entertainment this holiday season, well Fredericksburg has you covered.

Why not check out the 30th Annual Gingerbread House Contest and Exhibit at George Washington’s Ferry Farm . This year’s theme is “Home for the Holidays.” A long-standing holiday tradition,  adults and children alike will enjoy the sights and smells of the festive creations displayed at George Washington’s Ferry Farm.
Location: 268 Kings Hwy (Route 3 East) Fredericksburg, VA 22401
Dates: until Dec 30th (Closed December 24 & 25)
Hours: Mon – Sat 10am – 4pm; Sun 12pm – 4pm
Tel: 540-370-0733 x24
ferryfarm.org

Visit Historic Kenmore this holiday season for an exhibit of highly detailed, replica dollhouses – including the mansion – and miniatures in the Crowninshield Museum Building. A Wee Christmas – Dollhouses and Miniatures Show where you can  share memories as you explore life in miniature. Put your mind and eye to the test with their “I Spy Miniatures” challenge – fun for young and old alike.
Location: 1201 Washington Ave, Fredericksburg, VA 22401
Dates: until Dec 30th (Closed December 24 & 25)
Hours: Mon – Sat 10am – 4pm; Sun 12pm – 4pm
Tel: 540-373-3381
kenmore.org

And for the kid in all of us, Mr. Grinch is coming to Downtown Fredericksburg! Every Sunday in December Mr. Grinch will be available for a 15 minute ride down Caroline Street, sing some Whoville songs, admire the decorated store windows and enjoy the ride. This is a great photo opportunity and kids get a Christmas Goody Bag.
Location: 706 Caroline St., Fredericksburg, VA 22401
Dates: every Sunday in December
Hours: 11 to 4pm
Tel: 540-371-0094
visitfred.com/events/mr-grinch-coming-to-downtown-fredericksburg

For Regional Accommodations, Restaurants and Attractions: visitfred.com

George Bowser and Rick Blue have an amazing way with words. True to the their well-known genre it’s the songs at Centaur’s Last Night at the Gayety, that really “sing”. They are just so darn clever. The play, about Montreal’s infamous years of “Casinos, Bordellos and Booze” (one of the songs) could have been formulaic, but manages to relate a story which not only keeps you interested, but giggling and titillated throughout.

A tale of this era could not be told without the usual suspects: the gangster, nightclub owner, priest and cops (the good and bad). The glue holding it all together is the famous stripper Lili St. Cyr. Julia Juhas is a knockoff, so perfectly cast; she elegantly glides across the stage dressed to kill in early 50’s fashions, yet bumps and grinds so provocatively with those sinuous long legs.

What could be wrong with a night of inside jokes, overacting, silly songs, erotic dancing, love, lust, murder, gangsterism and priestly disgust – all so definitively Montreal. Bowser and Blue make sure to point out, tongue-in-cheek this city was made for burlesque because there’s a main street named Beaver Hall Hill and the crossroads of downtown is after all, called “Peel”. Lili retorts that she prefers Las Vegas because its main street is known as “The Strip” (bada boom).

On the Cosmos Tour to Prague, Vienna and Budapest, the first optional excursion was a typical Slavic evening in the well-known U Marčanů restaurant, and included folk music with Bohemian, Moravian and Slovakian singing and dancing, plus gypsy music and dancing. The performers were fabulous at getting the audience involved, and great fun ensued. A musical instrument called a cimbalon was played; it’s a large, trapezoidal box with metal strings stretched across, and is played by striking two hammers against the strings.

Here’s a short video of the cimbalon in action:

The  3-course meal accompanied by unlimited drinks (wine/ beer/soft drinks) started with my favorite food of the whole trip – halushka , little dumpling bits topped with cheese and  fried bacon (probably called bryndza) which is one of the the Slovak national dishes. Now we know why. The main course was pork on a skewer with delicate Lyonnaise potatoes, green beans and roasted potatoes.

Everyone ate and laughed and enjoyed the evening.

www.cosmos.com/Product.aspx?trip=46050